Theme of Deception in Much Ado About Nothing Essay -- Much Ado About N

Theme of Deception in Much Ado About Nothing Each of the main characters in Much Ado About Nothing is the victim of deception, and it is because they are deceived that they act in the ways that they do. Although the central deception is directed against Claudio in an attempt to exterminate his relationship with virtuoso, it is the deceptions involving Beatrice and Benedick which provides the plays dramatic focus. Nearly every character in the play at some point has to make inferences from what he or she sees, has been told or overhears. Likewise, nearly every character in the play at some point plays a part of consciously pretending to be what they are not. The predilection of acting and the illusion it creates is rarely far from the surface - Don Pedro acts to Hero, Don John acts the part of an honest friend, concerned for his brothers and Claudios honour Leonato and his family act as if Hero were dead, encouraged to this deception by, of all people, the Friar who feels that dece ption may be the way to get at truth and all the main characters in the biz pretend to Benedick and Beatrice so convincingly that they reverse their normal attitudes to each other. In I.1 Don Pedro offers to play Claudio and win Hero for him. This plan is overheard, and misreported to Antonio. His excited retail of the false news of Don Pedros love for Hero to Leonato is, however, not without some caution the news will be good as the event stamps them just now the have a good cover, they show well outward (I.2.6). Leonato shows a sense here that he could well do with later in the play Hath the better half any wit that told you this? . . . we will hold it as a dream . . . peradventure this be true. Admittedly he does not question the good sharp ... ...ne else in the play the originator of language to alter reality, and the issues of conscious or unconscious deceit. It shouldnt be forgotten that in the body of the play those who are masters of a language of impressive wit and p olish - language that seems to guarantee rationality and good judgement - get things almost completely wrong. The stoppage of the play comes via the agency of the people whose treat is an assault on language, who are dismissed - by Leonato - as tedious when they should be patiently listened to. But, as Borachio says what your wisdoms could not discover, these shallow fools have brought to light (V.1.221-222). And even more disturbing, that resolution comes by mere accident by the chance overhearing of a conversation. Works CitedShakespeare, William. Much Ado about Nothing. Ed. A.R. Humphreys. New York Routledge, 1994.